Wednesday, August 19, 2009

Fo Fweet....Kaminey


There may be two ways to get success in life--Short Cut and Chhota Short Cut, but to produce a movie like Kaminey there is not any short cut. And Certainly, Vishal Bhardwaj knows it. You need brain like Vishal, brawn like Shahid, beauty like Priyanka and beliigerence like Amol to have a movie like Kaminey before your eyes. How a simple and regular bollywood story can be developed into a classy(at least quasi-classy) spicey movie, Kaminey is example of that. Throughout the film, your gaze sticks to the screen in front of you and your brain remains busy predicting and speculation 'what next'? But this very pace is the beauty of the film and when you finish the exercise, you get the full worth of your money with a new and energetic experience. 
                            
                             This tale of twin brothers presents before you many characters who seem to come from around ourselves with a difference that almost all of them are in their crude form. They do not pretend to adopt the extremes only to have their goals completed. E.g., the sweet and simple Guddu does not hesitate to fight his brother Charlie to get the cocaine in order to complete his love stroy with Sweety. Similarly, Charlie finds it appropriate to use Sweety as his shield to get rid of her brother Bope's clutch. And, Sweety is ready to kill her own brother to save Guddu. So all the characters look real whether they be Bope, Tashi & Mikhail or Guddu, Charlie & Sweety. Vishal has been successful in developing all the characters of the film- both heroic or villainous. 

                             It is very important to discuss the performance of actors in the film. Shahid has got the opportunity to show his skills in double role here and he has done justice. Priyanka is just great as Sweety, the contemporary middle class Marathi mugli, who loves Guddu more than Mumbai, Chennai or Bengaluru. She makes you believe in her character with conviction as well as class. Similarly, Amol Gupte has portrayed handsomely his character of a corrupt and opportunist politician, for whom the Mee Marathi Manoos agenda is merely for political mileage and power and has nothing to do with the ideology. 

                          Cinematography is brilliant, background score is perfect and scripting is tight. The editing is done is such a brilliant way that you never feel any scene useless or extra long. But, there are some weak points too. In the climax, you find it unnecessary that all the characters are gathered at one place and fight each other and at last the good emerges as victor over evil.  Also, you want a decent treatment with the characters who develop during the movie. Anyway, these weak things do not lessen your joy while watching the film. In the nutshell Kaminey is full Paifa Vafool. 

2 comments:

manishdixit said...

fahab aapne vakai achha likha hai. fukriya

anarchicanalogy said...

Kaminey... sounded interesting... and perhaps, to an extent, even the film is. However, the problem is, you'll HAVE to find a sub text to enjoy this film.

On the apparent level, its just a queasy film on an age old theme of good vs evil... the two bros being mirror images..representing two ends of the spectrum... Black & White... And the victory of Good over Evil.

The performances might be brilliant. The screenplay might be great. The direction might be good... but the crux of the matter is ... can a film... have such a flimsy premise... and still be called GREAT? I don't know... and that is why, perhaps, I feel there is a strong subtext.

For me... the film... is not the depiction or the story of two brothers and their intercourse with life/reality/fantasy. Rather its a psychological portrait of the director... of the actor... of man across the road... of you ... of me. Yes... it is about what goes inside our head...24X7. Of incomplete thoughts... unfulfilled desires... of love ... of hatred...

Ask anybody who has seen the movie, and (s)he'll say that this film has too many stories... to may plots... sub plots... its a mumbao jumbo. Probably that is because there aren't separate compartments for different thoughts in our head... thousands of things go on simultaneously... often mingling/intersecting. And that is why, the storyline/screenplay constantly jumps... from one character to another... from one situation to another... often without completion... much in the same manner our thoughts/dreams do.

And that is perhaps, you have the good and evil fighting each other out... heterosexual love existing in the same space as a homosexual one... greed and charity co-existing... so on and so forth. In that sense.... the film is BRILLIANT... and the cinematography aptly supports it... the running camera for charlie... the steady cam for guddu... the fast cuts... the dark tone for Bhope... the sunlight for Sweety... the nebula like camera work in the beginning, and in the climax...

This film also proves that whatever said and done... the age old code of morality still rules... and no matter how hard our auteurs try... they just cant pull themselves out of it. That is why good wins... heterosexual love lives... desires morph into dreams...

And this is where, I feel, the film... seriously disappoints... and this, perhaps, is the reason, why the climax has disappointed most... Most of audience claim its the lack of credibilty which makes the climax outright bad... but its not realism that lets it down...its the director's obsession with putting everything in order that pulls it down.

Its just our obsession with order... that often lets us down!